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The new issue of Flaneur art zine is now available. Artists and writers from around the world have contributed to the latest issue, which has grown and is now Europe’s newest arts newspaper!The new issue of Flaneur art zine is now available. Artists and writers from around the world have contributed to the latest issue, which has grown and is now Europe’s newest arts newspaper!

The new issue of Flaneur art zine is now available. Artists and writers from around the world have contributed to the latest issue, which has grown and is now Europe’s newest arts newspaper!

The Inexpressible

OCCCA, Orange  County Center for Contemporary Art presents

The Inexpressible

Artists: Dalibor Polivka, Rob Mintz, Guillemette Buffault, Chau Thuy

April 3- May 1, 2010
Opening Reception: Saturday, April 3-2010, 5:00-11:00PM

at Orange County Center for Contemporary Art, 117 North Sycamore, Santa Ana, CA 92701
; 714.667.1517, www.occca.org

Inexpressible is an exhibition of works by the important French contemporary artist Guillemette Buffault, orchestrated in space brought to life by the graphic and installation interventions of Dalibor Polivka, with wall texts by Rob Mintz presented by master Vietnamese calligrapher Chau Thuy. In a spiritually-charged atmosphere, gallery-goers will discover the inexpressible within themselves. This exhibit seeks insight into the nature of a mysterious, shared universe described by mystics, philosophers and physicists.  A creative alliance between artists from different countries, it will be a model of contemporary practice, 
a hybrid with exalted aims.

Dali Polivka 


No form an artist might use is equal to the unbounded void where the phantoms of memory arise. To represent the absolute in a manner that does not instantly betray its transcendental meaning is the challenge that motivates Dalibor Polivka. The beauty and depth of the historic cultural traditions of his native Slovakia inform a restless pursuit of the underpinnings of perception, across contemporary disciplines, in painting, sculpture, installation, performance, digital imaging and graphic design.

Rob Mintz

Rob Mintz’s writings are influenced by the history of the avant-garde in all its manifestations. Evolving spontaneously and organically with a series of decisions that embellish or obliterate each line, they exude subjectivity, authenticity, anxiety, and the drift of autonomous introspection, the philosopher’s first step.

Guillemette Buffault

The “fold” (le pli) is the structure at the center of Guillemette Buffault’s research, taking form in paper, cloth, metal, sheets of lead, woven polyester, graphite, bronze, and glass, depicted in prints, or captured in photographs. The fold is both an object and a means of investigation.  In her hands it becomes paradoxical, material and immaterial simultaneously.  The fold is a connective discontinuity. When multiplied, its implications become metaphysical. Like apparitions, Buffault’s art oscillates between the opaque and the transparent.

Châu Thuy

Inspired by the Vietnamese calligraphic tradition, Châu Thuy’s popular and widely-exhibited 
work incorporates stylized figurative elements to symbolically express personal, historical and spiritual themes.

More details about Inexpressible at www.daliborpolivka.com/inexpressible

Art in the County

Art in the County

Prince Edward County’s annual art show and sale, June 18 - July 4, 2010 featuring the talented artists of Prince Edward County. One of the largest juried art shows in Eastern Ontario, now celebrating its 17th year with a broad range of work including watercolour, acrylic, oil, glass, fibre, ceramics, photography, sculpture, jewellery and much more.

www.artinthcounty.com

The BECA Foundation Announces Global Expansion of Curate This! 2010 

 

 

 

www.thebecafoundation.org www.curatethis.org

CURATE THIS! 2010 is going global!

…on the ground AND in cyberland.

A Global Exhibition of Emerging Contemporary Art + Design | An Experimental, Cross-Pollination of New Ideas for Progress + Possibility

January 1, 2010 – CURATE THIS! 2010, the second chapter in the evolution of the CURATE THIS! exhibition series created by BECA: Bridge for Emerging Contemporary Art, is evolving from a one city-wide event location into a global arts + cultural exchange event involving multiple venues located in multiple cities around the world.  The global art + design exhibition will take place from July 1 – December 31, 2010.

Through the exhibition of works of art + design by emerging artists, designers, duos, groups and collectives around the world, The BECA Foundation aims to facilitate an experimental, cross-pollination of new ideas for  creative innovation in diverse locations around the world.  The title, ‘CURATE THIS!’ reflects a departure from the familiar large scale exhibition model, typically curated by a singular vision with one head curator, to an exhibition with components and related events ‘curated’ by the public and professional and independent participants residing in multiple cities around the world.  The first ‘CURATE THIS!’ experiment took place in early 2008 and led artists and directors, Melissa Roberts and Kurt Schlough to begin brainstorming the expansion of the experiment to bring about greater benefits to a larger number of participants.

BECA is an acronym for Bridge for Emerging Contemporary Art and the core belief system at The BECA Foundation is that “New art + new design fuels the best of what’s yet to come on this planet.” To help mix that fuel and kick start new possibilities, the expansion of the CURATE THIS! exhibition project will facilitate a broader exposure of new art, new design and new ideas through both a physical and online network of participating venues in multiple cities around the world. The aim of building the network is to create international arts + cultural exchange opportunities, broaden arts education opportunities, build appreciation for emerging contemporary art + design, facilitate introductions and lay the foundation for future collaborations toward the realization of a progressive, meaningful and fulfilling future for everyone.  Global online content delivery of exhibition events and related special projects will enable global participation by millions around the world.  The BECA Foundation is pleased to welcome the participation of Helen Pheby, PhD, Curator of Yorkshire Sculpture Park, UK whose research and curatorial work spans the globe including the US and Iraq and Ellen Lupton, legendary design educator and Curator of Contemporary Design at the Smithsonian’s Cooper-Hewitt, National Design Museum. Each has a unique insight which will add further depth and diversity to new CURATE THIS! 2010 exhibition components.

Upcoming participating venues in Boston, New Orleans, Miami, Denver, Los Angeles, Santa Fe, New York and London have been the first locations to sign on.  Venue participation proposals have also been submitted by exclusively online communities. Organizations, artists, designers, independent and established curators, gallery and art space directors as well as lease-holders and owners of other event and non-traditional exhibition spaces located anywhere in the world may email Melissa Roberts at mail@thebecafoundation.org for venue participation information.  The BECA Foundation is building a global network to achieve a positive impact on the future of the residents of cities around the world. The formerly unimaginable, previously impossible and the creative ideas and proposals that may run counter to the current status quo are most welcome. Artists and designers may register to participate at: http://www.thebecafoundation.org/global/calls-to-artists.html

“Free your mind and the rest will follow.” – Thomas McElroy and Denzil Foster

A million glowing stars

www.michaelarchibald.ca

The BECA Foundation Announces Global Expansion of CURATE THIS! 2010

www.thebecafoundation.org    www.curatethis.org   mail@thebecafoundation.org 

CURATE THIS! 2010 is going global! …on the ground AND in cyberland.  

December 14, 2009 – CURATE THIS! 2010, the second installment of the CURATE THIS! exhibition series created by BECA: Bridge for Emerging Contemporary Art, is evolving from a one city-wide event location into a global arts + cultural exchange event involving multiple venues located in multiple cities around the world.  The global art + design exhibition will take place from July 1 – December 31, 2010.

Through the exhibition of works of art + design by emerging artists, designers, duos, groups and collectives around the world, The BECA Foundation aims to facilitate an experimental, cross-pollination of creative innovation and new ideas in diverse locations around the world.  The title, ‘CURATE THIS!’ reflects a departure from the familiar large scale exhibition model, typically curated by a singular vision with one head curator, to an exhibition with components and related events ‘curated’ by the public and professional and independent participants residing in multiple cities around the world.  The first ‘CURATE THIS!’ experiment took place in early 2008 and led artists and directors, Melissa Roberts and Kurt Schlough to begin brainstorming the expansion of the experiment to bring about greater benefits to a larger number of participants. 

BECA is an acronym for Bridge for Emerging Contemporary Art and the core belief system at The BECA Foundation is that “New art + new design fuels the best of what’s yet to come on this planet.”  To help mix that fuel and kick start new possibilities, the expansion of the CURATE THIS! exhibition project will facilitate a broader exposure of new art, new design and new ideas through both a physical and online network of participating venues in multiple cities around the world. The aim of building the network is to create international arts + cultural exchange opportunities, broaden arts education opportunities and appreciation for emerging contemporary art + design, facilitate introductions and lay the foundation for future collaborations toward the realization of a progressive, meaningful and fulfilling future for everyone.  Global online content delivery of exhibition events and related special projects will enable global participation by millions around the world.  The BECA Foundation is pleased to welcome the participation of Helen Pheby, PhD, Curator of Yorkshire Sculpture Park, UK whose research and curatorial work spans the globe including the US and Iraq and Ellen Lupton, legendary design educator and Curator of Contemporary Design at the Smithsonian’s Cooper-Hewitt, National Design Museum. Each has a unique insight which will add further depth and diversity to new CURATE THIS! 2010 exhibition components. 

Upcoming participating venues in Boston, New Orleans, Miami, Denver, Los Angeles, Santa Fe and London have been the first locations to sign on.  Venue participation proposals have also been submitted by exclusively online communities. Artists, designers, independent and established curators, gallery and art space directors as well as lease-holders and owners of other event and non-traditional exhibition spaces may email Melissa Roberts at mail@thebecafoundation.org for venue participation information.  The BECA Foundation is building a global network to achieve a positive impact on the future of the residents of cities around the world. The formerly unimaginable, previously impossible and the creative ideas and proposals that may run counter to the current status quo are most welcome.

“Free your mind and the rest will follow.” – Thomas McElroy And Denzil Foster

###

 

Come take a look at my work at http://stephaniebak.ca .  Drop me a line, I would love to hear what you think.  Don’t forget to check out my event page for the latest going-ons.

LARGEST NATIONAL SURVEY OF ARTISTS FINDS SURPRISING CONTRADICTION: THOUGH SUFFERING FROM REDUCED INCOME AND SALES, THREE-QUARTERS SAY IT’S AN INSPIRING TIME TO BE AN ARTIST IN AMERICA

 

 For immediate release

New York, NY – Despite the recession and its severe economic toll, artists across the country are overwhelmingly upbeat. While most have a second job just to get by (and one in five has a third job), a significant majority of artists believe “it is an inspiring time to be an artist in America.”

 Despite intensified hardship, relatively low income levels, rising debt and growing worries about health insurance, 75% of those surveyed believe this is an inspiring time to be an artist.   In addition:

  •  89% think artists have a special role in strengthening communities in these times;
  • 40% report they are able to devote more time to their work;
  • 33% have seized the opportunity to increase their experimentation and collaboration; and
  • 10% have found cheaper work spaces, an unexpected benefit of declining property values.

 These are among the findings of the largest and most comprehensive survey of artists ever conducted in the U.S.  The survey reached artists working in the visual, performing and literary arts and other fields.  More than 5300 artists participated in Artists and the Economic Recession Survey, commissioned by Leveraging Investments in Creativity (LINC) in collaboration with Helicon Collaborative and Princeton Survey Research Associates International.   The survey was conducted in the summer of 2009, and the sample closely approximates the demographic characteristics of the national population of artists, allowing generalizations about the findings by age, race/ethnicity, arts discipline, educational level and other characteristics.

 The survey was undertaken to provide reliable information about this diverse population of creative individuals. Most prior analyses have been based on Census counts, which are quickly dated and overly broad in their categorization of artists’ sub-groups. The LINC survey sought to understand artists’ financial circumstances, their strategies for adapting to the current economy, and their outstanding concerns.

 “Artists are known for their ability to innovate and improvise. They have made a risky career choice to begin with, and most have learned to cope with economic stress as a matter of course.  Artists find ways to be creative, flexible and productive under duress, and some of their strategies may serve others in this climate” said Judilee Reed, Executive Director of Leveraging Investments in Creativity.

 Artists typically have low incomes, most earning less than $40,000 from all sources, according to the survey.

 Chief among the artists’ current worries are:

  • Loss of income (77%)
  • Fewer sales (70%)
  • Finding future project funding (67%)
  • Rising debt (61%)

Health care is especially challenging for many artists, who do not have the prospect of most other professionals for long-term employment that comes with health care and other benefits. Even those artists who are covered are worried:  61% of artists report they have adequate insurance, but 50% are concerned about losing it.

LINC is working with the Actors Fund and other partners to address artists’ health insurance issues.  The Actors Fund’s AHIRC provides information about health insurance options designed to meet the explicit needs of artists in all disciplines and in all states, and provides resources, tools and information about health care policy issues. LINC also works with diverse partners, including urban planners and municipalities, to increase live/work opportunities for artists. The survey confirmed that this is another priority issue for artists.

 “Addressing the needs of artists is important because art, in its thousand daily manifestations, matters to the health of communities,” Ms Reed said.  “We demand and value excellence in design, graphics, performance and other arts.  If we value art, we also need to value the artist.  How do we tell the dancer from the dance, the painter from the painting?  That dancer, painter, poet, actor and other artist whose work products you value need health insurance, places to live, and opportunities to work as much as anyone,” she said. “We have more than 2.5 million artists in this country, most of them contributing dynamically to our creative economy without the benefits of regular employment or standard benefits.  If we want access to the ideas, products and services of artists in the future, we need to address their needs today.”  

About LINC

Leveraging Investments in Creativity (LINC) is a 10-year initiative to improve artists’ ability to make work, build social capital and contribute to democratic values. 

36 Toronto Dealers Captured – by an artist!!

Selected Toronto art dealers featured in a suite of portraits by artist Viktor Mitic

In this remarkable portrait-survey of thirty-six of Toronto’s most distinctive and influential art dealers, artist Viktor Mitic has captured and illuminated the unique individual personalities of his subjects. Depicting by turns their passion, insouciance, vivacity, shrewdness, eccentricity, geniality, and more, these portraits successfully reflect the rainbow of human emotion and expression. As Gary Michael Dault says in his insightful introductory essay, “there isn’t a portrait here that doesn’t provide not only a fine likeness of its subject, but also a telling, charming, incisive route into the sitter’s essential nature.”

Tightrope Books and Odon Wagner Contemporary are pleased to invite you to a ground breaking art show/book launch at the Odon Wagner Contemporary, 198 Davenport Road in Toronto, 6pm to 9pm December 10th 2009. The show will continue until December 24th 2009.

For more info please call  416-962-0438 or email info@odonwagnergallery.com

Mental Mediations: paintings by Ammar Qusaibaty

The Jerusalem Gallery, in Washington, DC  is happy to announce a solo art show by Ammar Qusaibaty scheduled to open on Nov 20 under a theme of Mental Mediations. These abstract images, two-sided painting on transparent sheets, express the artist’s dual influences of metaphor in the Arabic language and the rigor of abstract mathematics.

According to the artist the world is best exposed as a system of processes, change, and motion.  It is a continuous and dynamic exchange between an observer and an observed that encodes states in multi-hierarchal cognition unlimited by the sequential sense of time and space.   Exposing this interaction through the whole body of the canvass and its minutia becomes the primary purpose of expression.

Influenced by selective causality, automatism, action painting, minimalism, and situationism, the art thesis is characterized by continuous and long strokes, fluid motion, incomplete geometric compositions and emergence. The artist has stretched the boundary of the canvass by two-sided painting on transparent sheets allowing realization of infinite forms. In addition to painting on reflective sheets, the work depicts disjoint unity to show relationships between a whole and its parts.

An artist with unconventional training, Dr. Ammar Qusaibaty received his Doctoral degree in Cognitive Informatics from the University of Paris 1 Pantheon-Sorbonne.  He holds two Masters degrees from Oxford University and the University of Michigan.

Dr. Qusaibaty has exhibited in Europe and North America.  He lives and works in Washington D.C.

Opening reception to meet the artist:  Friday, 20 November 2009, 6:30 - 8:30 pm

For more information visit:

http://www.thejerusalemfund.org/ht/display/EventDetails/i/7200/pid/1459

Media Contact:

Natalie O’Connor

Email: art@zaygal.com

www.zaygal.com