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The Artist Project Toronto | March 4-7, 2010 Queen Elizabeth Building, Exhibition Place Thursday 7pm -10pm (Opening Night Party) Friday 12pm - 9pm Saturday 11am – 9pm Sunday 11am – 6pm »

The Artist Project is a meeting ground for artists, collectors and art enthusiasts.  View and purchase original art from over 175 carefully juried contemporary artists and enjoy an eclectic program of talks, special features and art installations.  Whether you are a first time buyer or seasoned collector, this four day art fair is a rare opportunity to meet and purchase directly from independent artists.

University of Ottawa Department of Theatre Drama Guild Presents MOURNING BECOMES ELECTRA – THE HAUNTED By Eugene O’Neill Directed by André Perrier The University of Ottawa Department of Theatre proudly announces the Drama Guild production of Mourning Becomes Electra – The Haunted by Eugene O’Neill, directed by André Perrier Celebrating 79 years since its first appearance on Broadway, Mourning Becomes Electra – The Haunted adapts the Greek myth of Orestes into a story that delves deep into the lives of the Mannon family during the American Civil War. Inherently a melodramatic script, this intriguing play, acted by a young cast, explores the themes of adultery, murder, and incestuous love and revenge. Actor, director and playwright André Perrier studied at the Conservatoire de Québec from 1979 to 1982. In 1992, he wrote and directed  Signal d’alarme, which won best play at the Ottawa Book Festival. He was artistic director of Triangle Vital from 1990 to 1998 where he wrote and directed most productions. He became the Artistic Director of Théâtre du Nouvel-Ontario in 1998, throwing his creative energies into the development of new plays, including Du pépin à la fissure and Univers (winner of the Masque de la meilleure production franco-canadienne 2001). André teaches part-time at Ottawa University where he has directed La Maison de Bernarda Alba and Ubu roi and has also taught at l’Université du Québec à Montréal where he has recently directed Coulson P.M. Lately, Sexy béton 1 and 2 which he directed for Porte Parole Theatre, made the Montreal Ici newspaper’s best ten list of 2009. The Drama Guild Production of Mourning Becomes Electra – The Haunted also features a set design by Normand Vandal, costumes by Judy De Boer, sound design by Kevin McCagg, and lighting design by Margaret Coderre-Williams. The University of Ottawa Department of Theatre invites you to experience the genius of Eugene O’Neill’s Mourning Becomes Electra – The Haunted, which opens Tuesday, March 9 and runs through Saturday March 13, 2010. Showtime is 8:00 p.m. Performances take place in the theatre of Academic Hall, 133 Séraphin Marion, University of Ottawa. Reservations:             Secretariat, Department of Theatre, 613-562-5761 Tickets:                      General Public, $15, Students/Seniors: $10 From:                          Tuesday, March 9 to Saturday, March 13, 2010 Venue:                        Academic Hall, 133 Séraphin Marion Publicity:                     Marilena Gaudio, 514-827-3161, marilenag_87@hotmail.comUniversity of Ottawa Department of Theatre Drama Guild Presents MOURNING BECOMES ELECTRA – THE HAUNTED By Eugene O’Neill Directed by André Perrier The University of Ottawa Department of Theatre proudly announces the Drama Guild production of Mourning Becomes Electra – The Haunted by Eugene O’Neill, directed by André Perrier Celebrating 79 years since its first appearance on Broadway, Mourning Becomes Electra – The Haunted adapts the Greek myth of Orestes into a story that delves deep into the lives of the Mannon family during the American Civil War. Inherently a melodramatic script, this intriguing play, acted by a young cast, explores the themes of adultery, murder, and incestuous love and revenge. Actor, director and playwright André Perrier studied at the Conservatoire de Québec from 1979 to 1982. In 1992, he wrote and directed  Signal d’alarme, which won best play at the Ottawa Book Festival. He was artistic director of Triangle Vital from 1990 to 1998 where he wrote and directed most productions. He became the Artistic Director of Théâtre du Nouvel-Ontario in 1998, throwing his creative energies into the development of new plays, including Du pépin à la fissure and Univers (winner of the Masque de la meilleure production franco-canadienne 2001). André teaches part-time at Ottawa University where he has directed La Maison de Bernarda Alba and Ubu roi and has also taught at l’Université du Québec à Montréal where he has recently directed Coulson P.M. Lately, Sexy béton 1 and 2 which he directed for Porte Parole Theatre, made the Montreal Ici newspaper’s best ten list of 2009. The Drama Guild Production of Mourning Becomes Electra – The Haunted also features a set design by Normand Vandal, costumes by Judy De Boer, sound design by Kevin McCagg, and lighting design by Margaret Coderre-Williams. The University of Ottawa Department of Theatre invites you to experience the genius of Eugene O’Neill’s Mourning Becomes Electra – The Haunted, which opens Tuesday, March 9 and runs through Saturday March 13, 2010. Showtime is 8:00 p.m. Performances take place in the theatre of Academic Hall, 133 Séraphin Marion, University of Ottawa. Reservations:             Secretariat, Department of Theatre, 613-562-5761 Tickets:                      General Public, $15, Students/Seniors: $10 From:                          Tuesday, March 9 to Saturday, March 13, 2010 Venue:                        Academic Hall, 133 Séraphin Marion Publicity:                     Marilena Gaudio, 514-827-3161, marilenag_87@hotmail.com

University of Ottawa Department of Theatre

Drama Guild Presents

MOURNING BECOMES ELECTRA – THE HAUNTED

By Eugene O’Neill

Directed by André Perrier

The University of Ottawa Department of Theatre proudly announces the Drama Guild production of Mourning Becomes Electra – The Haunted by Eugene O’Neill, directed by André Perrier

Celebrating 79 years since its first appearance on Broadway, Mourning Becomes Electra – The Haunted adapts the Greek myth of Orestes into a story that delves deep into the lives of the Mannon family during the American Civil War. Inherently a melodramatic script, this intriguing play, acted by a young cast, explores the themes of adultery, murder, and incestuous love and revenge.

Actor, director and playwright André Perrier studied at the Conservatoire de Québec from 1979 to 1982. In 1992, he wrote and directed  Signal d’alarme, which won best play at the Ottawa Book Festival. He was artistic director of Triangle Vital from 1990 to 1998 where he wrote and directed most productions. He became the Artistic Director of Théâtre du Nouvel-Ontario in 1998, throwing his creative energies into the development of new plays, including Du pépin à la fissure and Univers (winner of the Masque de la meilleure production franco-canadienne 2001). André teaches part-time at Ottawa University where he has directed La Maison de Bernarda Alba and Ubu roi and has also taught at l’Université du Québec à Montréal where he has recently directed Coulson P.M. Lately, Sexy béton 1 and 2 which he directed for Porte Parole Theatre, made the Montreal Ici newspaper’s best ten list of 2009.

The Drama Guild Production of Mourning Becomes Electra – The Haunted also features a set design by Normand Vandal, costumes by Judy De Boer, sound design by Kevin McCagg, and lighting design by Margaret Coderre-Williams.

The University of Ottawa Department of Theatre invites you to experience the genius of Eugene O’Neill’s Mourning Becomes Electra – The Haunted, which opens Tuesday, March 9 and runs through Saturday March 13, 2010. Showtime is 8:00 p.m. Performances take place in the theatre of Academic Hall, 133 Séraphin Marion, University of Ottawa.

Reservations:             Secretariat, Department of Theatre, 613-562-5761

Tickets:                      General Public, $15, Students/Seniors: $10

From:                          Tuesday, March 9 to Saturday, March 13, 2010

Venue:                        Academic Hall, 133 Séraphin Marion

Publicity:                     Marilena Gaudio, 514-827-3161, marilenag_87@hotmail.com

Online gallery promises a Kultural revolution! http://www.kounterkulture.org KounterKulture, the brainchild of Newcastle-based gallery Opus Art, promises to revolutionise the art market by giving art lovers an unprecedented level of access to contemporary artists, their work, and a location for collectors to trade their pieces commission free. For the first time ever, KounterKulture will enable collectors and art lovers to watch artists creating new works live on the Internet, while simultaneously interacting with them in various dynamic ways. Collectors are able, as never before, to communicate with an artist through various stages in the production of an artwork, following an idea from its inception, gaining insight into inspiration and method, to the completion of a unique work. This offers viewers all the benefits of a gallery setting while completely overcoming the geographical limitations of conventional galleries. KounterKulture’s unique new collector’s forum allows collectors to communicate with one another, access unbiased art market research, analysis and advice from ArtTactic, and privately trade pieces from their own collections. This last feature will allow collectors to completely avoid the added expense of gallery commissions, which traditionally swallow up a large chunk of the sale price. Collector Paul Hammond after previewing the site had this to say, “I am completely blown away by what KounterKulture is offering: a commission free zone; ArtTactic analysis of the latest auctions and buying trends; a chance to see works as they are made; first pick of art work, it’s unbelievable.” Art lovers and collectors are not the only ones who will benefit from this new venture, artists are also going to have incredible new advantages. Because KounterKulture features a much smaller number of artists than traditional galleries and commercial websites, each individual has a significantly greater, more exclusive presence, allowing them the opportunity to build more in-depth relationships with collectors, communicating their own unique approach more effectively. Hush, one of the artists launching with the site, believes, “this is an incredible experience. It’s like having an invisible documentary film crew following me as I do my work. No more trips to the galleries, the galleries have come to me.” Chris Kettle another artist involved said, “Its amazing being able to communicate and receive feedback from my audience. This has allowed me to take my work in directions that I hadn’t been able to in the past.” kounterkulture.org is now available for browsing and is launching with an exceptionally diverse group of emerging artists, including the award-winning Royal College of Art graduate Hector de Gregorio, New York based Crash, who is collected by the likes of Eric Clapton and John Mayer, and Becks Canvas Award winner Charlotte Bracegirdle. Other artists exhibiting with Kounter Kulture are Chris Acheson, Carolina Ambida, Charlotte Bracegirdle, Teresa Duck, HUSH, Chris Kettle, Josie McCoy, Lex Thomas and Karl de Vroomen. Image attached: HUSH, ‘Passing Through’, 2010 Mixed media on gallery box canvas Signed by the artist 39 x 59 inches £6,382.98 (£7,500 inc VAT)Online gallery promises a Kultural revolution! http://www.kounterkulture.org KounterKulture, the brainchild of Newcastle-based gallery Opus Art, promises to revolutionise the art market by giving art lovers an unprecedented level of access to contemporary artists, their work, and a location for collectors to trade their pieces commission free. For the first time ever, KounterKulture will enable collectors and art lovers to watch artists creating new works live on the Internet, while simultaneously interacting with them in various dynamic ways. Collectors are able, as never before, to communicate with an artist through various stages in the production of an artwork, following an idea from its inception, gaining insight into inspiration and method, to the completion of a unique work. This offers viewers all the benefits of a gallery setting while completely overcoming the geographical limitations of conventional galleries. KounterKulture’s unique new collector’s forum allows collectors to communicate with one another, access unbiased art market research, analysis and advice from ArtTactic, and privately trade pieces from their own collections. This last feature will allow collectors to completely avoid the added expense of gallery commissions, which traditionally swallow up a large chunk of the sale price. Collector Paul Hammond after previewing the site had this to say, “I am completely blown away by what KounterKulture is offering: a commission free zone; ArtTactic analysis of the latest auctions and buying trends; a chance to see works as they are made; first pick of art work, it’s unbelievable.” Art lovers and collectors are not the only ones who will benefit from this new venture, artists are also going to have incredible new advantages. Because KounterKulture features a much smaller number of artists than traditional galleries and commercial websites, each individual has a significantly greater, more exclusive presence, allowing them the opportunity to build more in-depth relationships with collectors, communicating their own unique approach more effectively. Hush, one of the artists launching with the site, believes, “this is an incredible experience. It’s like having an invisible documentary film crew following me as I do my work. No more trips to the galleries, the galleries have come to me.” Chris Kettle another artist involved said, “Its amazing being able to communicate and receive feedback from my audience. This has allowed me to take my work in directions that I hadn’t been able to in the past.” kounterkulture.org is now available for browsing and is launching with an exceptionally diverse group of emerging artists, including the award-winning Royal College of Art graduate Hector de Gregorio, New York based Crash, who is collected by the likes of Eric Clapton and John Mayer, and Becks Canvas Award winner Charlotte Bracegirdle. Other artists exhibiting with Kounter Kulture are Chris Acheson, Carolina Ambida, Charlotte Bracegirdle, Teresa Duck, HUSH, Chris Kettle, Josie McCoy, Lex Thomas and Karl de Vroomen. Image attached: HUSH, ‘Passing Through’, 2010 Mixed media on gallery box canvas Signed by the artist 39 x 59 inches £6,382.98 (£7,500 inc VAT)

Online gallery promises a Kultural revolution!

http://www.kounterkulture.org

KounterKulture, the brainchild of Newcastle-based gallery Opus Art, promises to revolutionise the art market by giving art lovers an unprecedented level of access to contemporary artists, their work, and a location for collectors to trade their pieces commission free.

For the first time ever, KounterKulture will enable collectors and art lovers to watch artists creating new works live on the Internet, while simultaneously interacting with them in various dynamic ways. Collectors are able, as never before, to communicate with an artist through various stages in the production of an artwork, following an idea from its inception, gaining insight into inspiration and method, to the completion of a unique work. This offers viewers all the benefits of a gallery setting while completely overcoming the geographical limitations of conventional galleries.

KounterKulture’s unique new collector’s forum allows collectors to communicate with one another, access unbiased art market research, analysis and advice from ArtTactic, and privately trade pieces from their own collections. This last feature will allow collectors to completely avoid the added expense of gallery commissions, which traditionally swallow up a large chunk of the sale price.

Collector Paul Hammond after previewing the site had this to say, “I am completely blown away by what KounterKulture is offering: a commission free zone; ArtTactic analysis of the latest auctions and buying trends; a chance to see works as they are made; first pick of art work, it’s unbelievable.”

Art lovers and collectors are not the only ones who will benefit from this new venture, artists are also going to have incredible new advantages. Because KounterKulture features a much smaller number of artists than traditional galleries and commercial websites, each individual has a significantly greater, more exclusive presence, allowing them the opportunity to build more in-depth relationships with collectors, communicating their own unique approach more effectively.

Hush, one of the artists launching with the site, believes, “this is an incredible experience. It’s like having an invisible documentary film crew following me as I do my work. No more trips to the galleries, the galleries have come to me.”

Chris Kettle another artist involved said, “Its amazing being able to communicate and receive feedback from my audience. This has allowed me to take my work in directions that I hadn’t been able to in the past.”

kounterkulture.org is now available for browsing and is launching with an exceptionally diverse group of emerging artists, including the award-winning Royal College of Art graduate Hector de Gregorio, New York based Crash, who is collected by the likes of Eric Clapton and John Mayer, and Becks Canvas Award winner Charlotte Bracegirdle. Other artists exhibiting with Kounter Kulture are Chris Acheson, Carolina Ambida, Charlotte Bracegirdle, Teresa Duck, HUSH, Chris Kettle, Josie McCoy, Lex Thomas and Karl de Vroomen.

Image attached:

HUSH, ‘Passing Through’, 2010

Mixed media on gallery box canvas

Signed by the artist

39 x 59 inches

£6,382.98 (£7,500 inc VAT)

Doris McCarthy Gallery UTSC Opening Reception Wednesday, March 3, 5 - 8 pm Free shuttle bus to DMG departs 401 Richmond St. W. at 5:30 pm, returning at 8 pm In Peter Smith’s works, a universe inhales and exhales; domino dots and the heads of screws glisten like stars while oil-painted cars on clogged expressways carry passengers to unknown destinations. His assemblages unite throwaway culture with aspirations for comprehension, and rather than proposing a mastery of lived chaos, generate a demonstrated curiosity that compels creativity. The works offer a fresh look at the distillation of the urban experience. With an approach to life similar to that of poet Pablo Neruda, Peter Smith’s works are an ode to the everyday.  Doris McCarthy Gallery UTSC Opening Reception Wednesday, March 3, 5 - 8 pm Free shuttle bus to DMG departs 401 Richmond St. W. at 5:30 pm, returning at 8 pm In Peter Smith’s works, a universe inhales and exhales; domino dots and the heads of screws glisten like stars while oil-painted cars on clogged expressways carry passengers to unknown destinations. His assemblages unite throwaway culture with aspirations for comprehension, and rather than proposing a mastery of lived chaos, generate a demonstrated curiosity that compels creativity. The works offer a fresh look at the distillation of the urban experience. With an approach to life similar to that of poet Pablo Neruda, Peter Smith’s works are an ode to the everyday. 

Doris McCarthy Gallery UTSC

Opening Reception 
Wednesday, March 3, 5 - 8 pm 
Free shuttle bus to DMG departs 401 Richmond St. W. at 5:30 pm, returning at 8 pm

In Peter Smith’s works, a universe inhales and exhales; domino dots and the heads of screws glisten like stars while oil-painted cars on clogged expressways carry passengers to unknown destinations. His assemblages unite throwaway culture with aspirations for comprehension, and rather than proposing a mastery of lived chaos, generate a demonstrated curiosity that compels creativity. The works offer a fresh look at the distillation of the urban experience. With an approach to life similar to that of poet Pablo Neruda, Peter Smith’s works are an ode to the everyday. 

Ontario Crafts Council Masterworks SouthwestMarch 28 to April 25 2010Opening Reception: Sunday March 28 from 2-4pm A testament to craftsmanship, innovative design, conceptual prowess and emotive artistic expression. This exhibition has a five-stop tour beginning at the Tom. http://www.craft.on.ca/ Ontario Crafts Council Masterworks SouthwestMarch 28 to April 25 2010Opening Reception: Sunday March 28 from 2-4pm A testament to craftsmanship, innovative design, conceptual prowess and emotive artistic expression. This exhibition has a five-stop tour beginning at the Tom. http://www.craft.on.ca/

Ontario Crafts Council

Masterworks Southwest
March 28 to April 25 2010
Opening Reception: Sunday March 28 from 2-4pm

A testament to craftsmanship, innovative design, conceptual prowess and emotive artistic expression. This exhibition has a five-stop tour beginning at the Tom.

http://www.craft.on.ca/

Alan Glicksman What It IsMarch 5 to April 25 2010Opening Reception: Friday March 5 at 7pm Glicksman roots his work in a personal exploration of his life and self, often embedding intimate language and private symbols in his worked compositions.  His drawings are playfully totemic, and channel the frenetic energy of a classroom doodle as much as the earnest expressionism of Picasso and Dubuffet.  Alan Glicksman What It IsMarch 5 to April 25 2010Opening Reception: Friday March 5 at 7pm Glicksman roots his work in a personal exploration of his life and self, often embedding intimate language and private symbols in his worked compositions.  His drawings are playfully totemic, and channel the frenetic energy of a classroom doodle as much as the earnest expressionism of Picasso and Dubuffet. 

Alan Glicksman

What It Is
March 5 to April 25 2010
Opening Reception: Friday March 5 at 7pm

Glicksman roots his work in a personal exploration of his life and self, often embedding intimate language and private symbols in his worked compositions.  His drawings are playfully totemic, and channel the frenetic energy of a classroom doodle as much as the earnest expressionism of Picasso and Dubuffet. 


Donald Woodman The Selling of the WestMarch 5 to April 25 2010Opening Reception: Friday March 5 at 7pm Landscape is a subject to which Woodman has repeatedly returned to over the years. The photo tradition he comes from has been characterized as the ‘Ansel Adam School’ of the idealized landscape. Of course, nowadays, one has to travel to areas with sparse populations that are inaccessible by motorized vehicle in order to find unobstructed vistas like those in Adam’s photographs. The works on view record the landscape as it is; being sold, closed off and/or developed complete with trash, weeds, roads and powerlines.  In doing so he has had to shed the mantle of the tradition of landscape photography instead revealing the real world we live in. Donald Woodman The Selling of the WestMarch 5 to April 25 2010Opening Reception: Friday March 5 at 7pm Landscape is a subject to which Woodman has repeatedly returned to over the years. The photo tradition he comes from has been characterized as the ‘Ansel Adam School’ of the idealized landscape. Of course, nowadays, one has to travel to areas with sparse populations that are inaccessible by motorized vehicle in order to find unobstructed vistas like those in Adam’s photographs. The works on view record the landscape as it is; being sold, closed off and/or developed complete with trash, weeds, roads and powerlines.  In doing so he has had to shed the mantle of the tradition of landscape photography instead revealing the real world we live in. 

Donald Woodman

The Selling of the West
March 5 to April 25 2010
Opening Reception: Friday March 5 at 7pm

Landscape is a subject to which Woodman has repeatedly returned to over the years. The photo tradition he comes from has been characterized as the ‘Ansel Adam School’ of the idealized landscape. Of course, nowadays, one has to travel to areas with sparse populations that are inaccessible by motorized vehicle in order to find unobstructed vistas like those in Adam’s photographs. The works on view record the landscape as it is; being sold, closed off and/or developed complete with trash, weeds, roads and powerlines.  In doing so he has had to shed the mantle of the tradition of landscape photography instead revealing the real world we live in. 

“Signs Along The Way” Photography Exhibition From March 3rd to April 3rd, Silver Circle Studio in Putnam, CT, is hosting “Signs Along The Way,” an exhibition featuring the work of Willimantic-based artist Harrison Judd.  The Opening Reception is Friday, March 5th from 6 – 8PM, with complimentary wine and hors d’oeuvres. Harrison Judd is a photographer, new media artist, and archivist whose clients have included the NFL, Southern CT Gas, Danbury Hospital, the New Haven Symphony, Jock Sturges and Maurice Sendak.“Signs Along The Way” Photography Exhibition From March 3rd to April 3rd, Silver Circle Studio in Putnam, CT, is hosting “Signs Along The Way,” an exhibition featuring the work of Willimantic-based artist Harrison Judd.  The Opening Reception is Friday, March 5th from 6 – 8PM, with complimentary wine and hors d’oeuvres. Harrison Judd is a photographer, new media artist, and archivist whose clients have included the NFL, Southern CT Gas, Danbury Hospital, the New Haven Symphony, Jock Sturges and Maurice Sendak.

“Signs Along The Way” Photography Exhibition

From March 3rd to April 3rd, Silver Circle Studio in Putnam, CT, is hosting “Signs Along The Way,” an exhibition featuring the work of Willimantic-based artist Harrison Judd.  The Opening Reception is Friday, March 5th from 6 – 8PM, with complimentary wine and hors d’oeuvres.

Harrison Judd is a photographer, new media artist, and archivist whose clients have included the NFL, Southern CT Gas, Danbury Hospital, the New Haven Symphony, Jock Sturges and Maurice Sendak.

http://www.krop.com/vanguard/http://www.krop.com/vanguard/

http://www.krop.com/vanguard/

TIW : Toronto Image Works : Home I.M. Martinez   Accural March 4-March 27, 2010 Opening:Thursday March4, 5-7 PMTIW : Toronto Image Works : Home I.M. Martinez   Accural March 4-March 27, 2010 Opening:Thursday March4, 5-7 PM

TIW : Toronto Image Works : Home

I.M. Martinez   Accural

March 4-March 27, 2010

Opening:Thursday March4, 5-7 PM

Forsnowboarding and Grafik Armor are proud to announce their first collaborative project together: Snowboard Graphic Design Contest. Beginning February 15th, 2010, we invite all snowboarders and designers to create their best original snowboard topsheet graphics using our supplied templates and submit them to our official gallery to be judged by a panel of artists, designers and industry professionals. Guest judge for this competition is none other than Mike Orduña AKA Fatoe. illustrativo: Forsnowboarding and Grafik Armor are proud to announce their first collaborative project together: Snowboard Graphic Design Contest. Beginning February 15th, 2010, we invite all snowboarders and designers to create their best original snowboard topsheet graphics using our supplied templates and submit them to our official gallery to be judged by a panel of artists, designers and industry professionals. Guest judge for this competition is none other than Mike Orduña AKA Fatoe. illustrativo:

Forsnowboarding and Grafik Armor are proud to announce their first collaborative project together: Snowboard Graphic Design Contest. Beginning February 15th, 2010, we invite all snowboarders and designers to create their best original snowboard topsheet graphics using our supplied templates and submit them to our official gallery to be judged by a panel of artists, designers and industry professionals. Guest judge for this competition is none other than Mike Orduña AKA Fatoe.

illustrativo:

artottawa: TRIAGE Book Launch | Feb. 25th @ 7 pm | 35 George St | OSA Main Gallery artottawa: TRIAGE Book Launch | Feb. 25th @ 7 pm | 35 George St | OSA Main Gallery

artottawa:

TRIAGE Book Launch | Feb. 25th @ 7 pm | 35 George St | OSA Main Gallery

Whitney Museum of American Art: 2010 Whitney Biennial »

2010 ARTISTS

David Adamo
Richard Aldrich
Michael Asher
Tauba Auerbach
Nina Berman
Huma Bhabha
Josh Brand
The Bruce
 High Quality
 Foundation
James Casebere
Edgar Cleijne and
 Ellen Gallagher
Dawn Clements
George Condo
Sarah Crowner
Verne Dawson
Julia Fish
Roland Flexner
Suzan Frecon
Maureen Gallace
Theaster Gates
Kate Gilmore
Hannah Greely
Jesse Aron Green
Robert Grosvenor
Sharon Hayes
Thomas Houseago
Alex Hubbard
Jessica Jackson
 Hutchins
Jeffrey Inaba
Martin Kersels
Jim Lutes
Babette Mangolte
Curtis Mann
Ari Marcopoulos
Daniel McDonald
Josephine Meckseper
Rashaad Newsome
Kelly Nipper
Lorraine O’Grady
R.H. Quaytman
Charles Ray
Emily Roysdon
Aki Sasamoto
Aurel Schmidt
Scott Short
Stephanie Sinclair
Ania Soliman
Storm Tharp
Tam Tran
Kerry Tribe
Piotr Uklański
Lesley Vance
Marianne Vitale
Erika Vogt
Pae White
Robert Williams

Paul Petro Contemporary Art | Special Projects Space VESSNA PERUNOVICH  Closing Party February 26, 8-11pm From February 1st to the 28th, the artist will produce work using all the available space in her process, shifting her working surface from the walls to the center space and finally to the gallery window. The passers by will be able to observe, examine and inspect the process of production, without access to the actual space. On February 26th the artist will reveal the final installation and the work accomplished in the gallery during the time of her occupancy.Paul Petro Contemporary Art | Special Projects Space VESSNA PERUNOVICH  Closing Party February 26, 8-11pm From February 1st to the 28th, the artist will produce work using all the available space in her process, shifting her working surface from the walls to the center space and finally to the gallery window. The passers by will be able to observe, examine and inspect the process of production, without access to the actual space. On February 26th the artist will reveal the final installation and the work accomplished in the gallery during the time of her occupancy.

Paul Petro Contemporary Art | Special Projects Space

VESSNA PERUNOVICH  Closing Party February 26, 8-11pm

From February 1st to the 28th, the artist will produce work using all the available space in her process, shifting her working surface from the walls to the center space and finally to the gallery window. The passers by will be able to observe, examine and inspect the process of production, without access to the actual space. On February 26th the artist will reveal the final installation and the work accomplished in the gallery during the time of her occupancy.

www.artbasel.comwww.artbasel.com

www.artbasel.com